I unintentionally spent 95% of a full day 1 at NAB at the Blackmagic booth… this is the reason why. The running joke at the show I kept hearing from people was that Blackmagic/Fairlight was able to build this NLE/DAW solution in 6 months than has done in the last 6 years. I honestly don’t know how these people were able to do this in such a short amount of time (I guess they don’t like sleep). Despite the fact the team is still hard at work to complete all the planned features, this was an amazing feat to undertake. In about 4-5 month’s time, the Blackmagic/Fairlight engineers and developers integrated the Fairlight DAW right into DaVinci Resolve, complete with hardware interfacing with audio I/O and modular mixing control surface integration. But for me, nothing came close in terms of shear “wow factor” than to that of Blackmagic Design’s showing of DaVinci Resolve 14 with the inclusion of the complete Fairlight DAW. With the National Association of Broadcasters convention in Las Vegas officially over for 2017, there was an abundant of new announcements and products throughout the show’s week-long event. Is this finally the solution to break away from the ProTools stronghold? Marco Solorio of OneRiver Media gives an introductory overview to the rebirth of the Fairlight digital audio workstation (DAW) that is now part of Blackmagic Design’s powerful DaVinci Resolve post-production system.
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